Film

Chantal Akerman @ turbulence: the 3rd Auckland Triennial

Akerman_1The filmmaker we love to hate, Chantal Akerman, will be among the participants at turbulence: the 3rd Auckland Triennial.

We have a soft spot for both the filmmaker and the location. Akerman once told me she was, "not interested in things like that." when I asked her if she thought her films formed a kind of critique of conventional cinema’s typical use of time and space and when combined with her feminist subject matter and her own subjectivity– particularly in "Jeanne Dielman"–didn’t form a kind of deconstruction of the typical role of "the feminine" in the west, both in cinema and in real life?

Well, duh. [And it WAS kind of an obnoxious question, désolée, Ms. Akerman...]

more below:

turbulence: the 3rd Auckland Triennial
Auckland / New Zealand
from 9 March 2007

Curator / Victoria Lynn

Presented by the Auckland Art Gallery Toi o Tamaki in association with exhibition partners ARTSPACE / The Gus Fisher Gallery / ST PAUL ST / Academy Cinemas

http://www.aucklandtriennial.com

exhibition + films + symposium + catalogue + performances + events 

WeTube @ NWFF: “Outrageous Media Experiment” YouTube on ‘Roids…

Friday night at NWFF get ready to take YouTube to the next level; WeTube!. It’s not exactly clear just what is going to happen on Friday night, but you can be sure it will involve large amounts of intoxicants and much laughter.

Oh, and did I mention it’s FREE for members!

Here’s the press release:

Saturday, Feb. 24 at 11pm
Northwest Film Forum – 1515 12th Ave. at Pike
$8.50 / FREE for NWFF Members

Northwest Film Forum celebrates the explosion of the internet video sharing phenomenon with an outrageous, one-of-a-kind live YouTube experience this Saturday!

The team of monkeys at the Northwest Film Forum have devised this special event in which our cinema is transformed into a big, comfy computer, and you, WE are the keys! We’re liberating YouTube from its normally tiny screen, and liberating you from your offices and bedrooms for a fun evening of internet video writ large on the big screen and experienced collectively. We bring you faux-academic musings on the phenomenon, a selection of outrageous YouTube clips, and live interactive games in which the audience will pick key words for live video searches. Get ready for laughs, drinks, head scratching, and VERY big pixels! Whether you’re a YouTube junkie or just want to see what all the fuss is about, this outrageous media experiment is not to be missed! And did we mention that its FREE FOR MEMBERS?!!!

For more information, please call (206) 329-2629

Paris Art Squats: Crackdown Continues

We’ve heard that, like Sisyphus, these Parisians are not resting, but beginnning again their toil in new environs. Stay tuned…

Artsquatchateaudun This, from the Guardian:

"The squatter art scene in the French capital is so big it’s on the tourist trail. But now the riot police are moving in…

"The riot police arrived before dawn. Dozens of officers carrying riot shields, batons and tear gas parked their vans on an avenue on the fringes of Paris’s Left Bank, ready for a confrontation. But the handful of film directors and actors inside the disused art deco cinema surrendered without a fight. They emerged blinking as police confiscated their projection equipment and theatre props, then bricked up the facade."

Artsquatrivoli_1 Artsquat_1 

via Archinect.com

link

Ménage à Trois And Machine Gun Attack: The Lives of Poets

Thanks Wit for this update on one of my favorite projects soon to be coming out of one of my favorite towns:

Dylan_thomas_caitlin
"Another film due to start shooting in Laugharne, Newquay and Swansea this year, has the working title The Best Years of our Lives.

It will star Welsh actor Matthew Rhys as Dylan Thomas and Keira Knightly as his childhood sweetheart, Vera Phillips, in a movie based on a screenplay written by Knightley’s mother, award-winning playwright Sharman Macdonald. Lindsay Lohan will play Dylan’s wife, Caitlin.

The movie will feature Dylan carrying on with both women, a three-in-a-bed romp and a supposed lesbian fling.

According to Sharman Macdonald, the film "charts the complex emotional bond" shared by Dylan, Caitlin, Vera and her eventual husband William Killick.

It features an alleged attack on the poet’s temporary home in New Quay, West Wales, by Killick, involving a machine gun and the detonation of a hand grenade, said to have taken place when commando Killick returned from World War II action, only to hear neighbourhood gossip about his wife’s behaviour. He was cleared of any criminal behaviour by magistrates.

Dylan’s daughter Aeronwy, whose famous father died when she was just 10, says the menage a trois tale is ‘pure speculation’."

Link: icWales – Latest Dylan film based on Milk Wood.

via WIT

Sharon Lockhart’s Teatro Amazonas @ The Whitney, Feb. 24/25, 2007

Teatro_amazonas_www In between schmoozing at the Armory Show and others this week, be sure to stop by the Whitney. As part of the LIGHTS, CAMERA, ACTION series of screenings at the Whitney Museum, Sharon Lockhart will screen her film, Teatros Amazonas, 1999. 35mm film, color, sound; 40 min.

I’ve been trying to see this one ever since I missed it in Telluride/01 where I had a film screening as well at the International Experimental Cinema Expo.

See you there!

via The Whitney

Paris is the Anti-Berlin

Fleur_en_lisle Great article in Sign and Sight about the expat scenes in Paris and Berlin, or rather, Paris vs. Berlin.

"France is in the process of creating an anti-Berlin. Or rather, Paris and Versailles are creating this, for a hint of hipness rarely survives the trip out to the suburbs. The world’s writers and artists are drawn to Berlin where the old Baudelaire maxim still holds that beauty today is bizarre (in other words ugly) or interesting and dirty. Music, fashion and film are drawn to Paris, to pursue their work in freedom and impeccable style in front of perfect facades."

For the Francophiles in the house, this seems like the time to make your move…

via signandsight

Escalation 1968 by Ward Kimball

Escalation, an animated anti-war short from Academy Award-winning Disney animator Ward Kimball (1914 –2002). The 1968 film protests then-president Lyndon B. Johnson‘s escalation of the Vietnam war.

Kimball’s granddaughter Laurey Kimball Boedoe and other relatives recently decided to make the video available online for the first time. "Our family thought it was time to put this short film out there for everyone to see since there are a lot of similarities to what is going on now," she said in an email to friends.

Link to video (02:30), contains nudity. (Thanks, David Silverman / via Wayne’s List)

via Boing Boing

This Filthy World and John Waters

Waters_1 An hilarious review of a screening of This Filthy World by Mike Wood.

This Filthy World, a lecture/standup routine in which Waters reviews his career film by film, name-drops some of his heroes, and comments on some of his obsessions, is not shocking in the way it would have been 25 years ago. His rather long and hilarious list of the latest underground fetishes he has learned about include "Ultimate Nudity," where gay men have the skin of their testicles removed and replaced with sheer plastic, the better to see the semen in the process of launch; "Blossoming": the distended anal fissures created from too much fisting, the photos of which are swapped by the afflicted online; anal bleaching; gay "Bear" culture; etc. What is most shocking here, however, is the response and look of the audience. At one point Waters tells with relish the true story of a Midwest family, big fans of Hairspray, who rented Pink Flamingos and were so appalled that they had to call the police just to help them process the shock. The rather preppy and clueless audience had much in common with this intellectually stunted Joad family.

read the rest here

via Identity Theory

Nashville is Sprawling, Audacious and Brilliant

Be sure to check this one out:

Altmans_nashville
“Rightly considered both a critical and popular masterpiece, director Altman’s 1975 film, Nashville, is a sprawling, audacious and brilliant mixture of political analysis and soap opera that features 23 major characters, all on a collision course with the American dream. This love letter to the film, the director and the cast is based on Newsweek movie critic Stuart’s interviews with all of the cast and crew members who are still alive. He ably evokes the artistic excitement that galvanized the set amid the chaos of the filming (Altman, a great believer in improvisation, told his actors to ignore the script on the first day of filming), as well as the tensions that surfaced when the exacting, often cranky director clashed with many of his stars.

Highlights are the insights of performers like Lily Tomlin, who relates how feminism and lesbianism shaped her wonderfully tender sex scenes with Keith Carradine (who claims to have ‘just wanted to get laid’ during the filming), and Barbara Harris, whose insistence on relying on her improvisational training at the Second City put her at odds with Altman. Stuart is at his best detailing the strained and often painful relationships between the stars, particularly Ronee Blakley, who played the film’s central character, and the director. More an overview of the film and its principal players than a sustained critical analysis or a day-by-day account of the filming, this amiable journalistic account will please the film’s legion of fans more than it will film critics or historians.”

Link: Amazon.ca: Nashville Chronicles : The Making of Robert Altman’s Masterpiece: Books: Jan Stuart.

via Wit

Rip Torn Kicks Norman Mailer’s Ass

I’m in the middle of reading Mailer’s “Castle in the Clouds” [holding out judgement] and while googling the old man I ran across this:

On the set of the 1970 film Maidstone, Rip Torn assaults Norman Mailer with a hammer, and Mailer retaliates by biting off a piece of Torn’s ear:

Who could we get to do the updated version? Eggers v. Foster Wallace? Whitehead v. Eugenides, Ha!

Some backstory:

Norman Mailer created a film in the late 60s called MAIDSTONE. He played the part of a famous movie director who is considering a run for the presidency. Rip Torn played his potential assassin. At the end of filming, Rip appeared to get a little too far into his role, and he attacked Mailer on camera with a hammer, drawing blood. Mailer retaliated by viciously biting into Torn’s ear, drawing even more blood. This is the fight.

It’s debatable how “surprised” that Mailer was by the attack, but it should be noted that he still had the camera crew hanging around and filming, the day after production had allegedly “ended” on the picture. However, the blood from both men is undeniably real, as are the horrified reactions of Mailer’s children (his wife, on the other hand, seems to be overacting badly).

More backstory here.

[via iFilm.]

via Panpopticist