Current Events

The Real Superheroes by DULCE PINZÓN

Hulk

THE HULK
Paulino Cardozo
from the State of Guerrero
Works as a loader in New York
Sends home $300 per week
 

This is fabulous. Pinzon photographed Mexican workers in New York–many of whom work 2 or 3 jobs, in extreme conditions, for little pay–as they quietly went about their business. But she dressed them as superheroes to call attention to their sacrifices, most often for their families back in Mexico.

From the artists statement; "The Mexican economy has quietly become dependent on the money sent from workers in the US.  Conversely, the US economy has quietly become dependent on the labor of Mexican immigrants.  Along with the depth of their sacrifice, it is the quietness of this dependence which makes Mexican immigrant workers a subject of interest.

"The principal objective of this series is to pay homage to these brave and determined men and women that somehow manage, without the help of any supernatural power, to withstand extreme conditions of labor in order to help their families and communities survive and prosper.

Superman

SUPERMAN
Noe Reyes
from the State of Puebla
Works as fast-food delivery boy in Brooklyn
sends home $500 per week

Green_lanternlinternaverde

GREEN LANTERN
Román Romero
from Tlapa, Guerrero
works as a nightwatchman in New York
sends home $800 per month
 

via mental_floss

Muhmmad Ali turns 65! Guardian Photos

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Muhammad Ali turns 65 today. One of our all-time favorite personalities, check out these images on Guardian Unlimited from the champs heyday. [thanks, Wit]

link Guardian Unlimited

(pro)text @ Richard Hugo House, Seattle Independent Publishers Fair

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(pro)text: It’s a sit-in. A stand-up and shout. A chance to yell, “Look at me, dammit!” Meaning, we want you there to represent the counter-world (counter anything as long as it’s not counter-intelligence—the Bush Administration has that covered). This ain’t Book Fest or Bumbershoot. It’s a free-for-all. It’s a chance for small publishers to show off the work they’re doing and to get their texts (journals, magazines, books, zines) in the public eye. We’ll also have some swanky and provocative performances, including a reading by the poet Christian Hawkey (The Book of Funnels, Verse Press, 2004) and a panel on the ethics of literary contests at the end of the day (from 5-6 p.m.). The press fair is full! We have 37 small publishers displaying their work. The event is free to the public (and co-sponsored by Hugo House).

SAT> FEB>17, Noon to five.

Mike Kelly: Day is Done @ REDCAT LA, Monday and Tuesday

Mike Kelly is at it again. Don’t miss it!

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From Flavorpill: Culled from mounds of found yearbooks, pieces of unattributed memorabilia, public addresses, and sundry real-life tales, Mike Kelley’s Day Is Done is an unflinching adventure in modern Americana. Working through a series of 31 vignettes, the cheeky musical reinvigorates the everyday items that inspired it, reconstructing them and their surroundings with tight choreography and an inspired score. Kelley brings his inimitable style of profane satire and subversive hyperbole to bear, designing each scene to elicit the maximum sense of surrealism. In doing so, he creates a genuine curiosity about the undiscovered rituals of America’s many subcultures. (SND)

No Pants 2k7

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More than 200 people participated in the sixth annual No Pants! Subway Ride on the 6 line yesterday.

Participants gathered at the Brooklyn Bridge-City Hall station, boarded a 6 train, “de-pantsed” and exited at different stations. Then they reboarded other uptown trains to the shock and amusement of fellow subway riders.

“I’m standing here with no pants on,” said Melissa Poles, 31, of Manhattan, who crocheted a blanket while confused onlookers tried to make sense of the stunt. “I’m awesome.” Link

Aitken’s “Sleepwalkers” @ MoMA, NYC tomorrow night

The only thing happening in NYC tomorrow night:

Sleepwalkers

Continuous sequences of film scenes will be projected onto eight facades, including those on West Fifty-third and Fifty-fourth streets and those overlooking The Abby Aldrich Rockefeller Sculpture Garden. Inspired by the densely built environment of New York’s midtown, the artist will create a cinematic art experience that directly integrates with the architectural fabric of the city while simultaneously enhancing and challenging viewers’ perceptions of public space. The project, filmed in New York City, will be shown daily from 5:00 p.m. until 10:00 p.m., and is intended to be visible from many public vantage points adjacent to the Museum.

Bruce Yonemoto in Exile of the Imaginary, Generali Foundation, Austria

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L.A.’s Bruce Y–maverick photographer, filmmaker, and artist [and excellent studio critic/advisor]–is participating in an interesting exhibition at the Generali Foundation in Vienna. Curator Juli Carson [UC Irvine] examines the practice of a group of artists using "love" as a vehicle for examining the relationship between the personal and the political in their practice. Or something like that…

From the press release:

"The Lover’s Discourse" (1977) by French philosopher Roland Barthes offers a theoretical basis, and also lends the exhibition its title. The book confronts us with a montage of texts from the author and from world literature on the discourse of love.

2007_1_exil_wrkan_yonemoto_02Check out the panel discussion this Thursday at 7PM.

Generali Foundation
Wiedner Hauptstrasse 15
1040 Vienna, Austria
Phone + 43 1 504 98 80
Fax + 43 1 504 98 83
foundation@generali.at
http://foundation.generali.at

Tigers of Wrath: Walton Ford at the Brooklyn Museum

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above; Dirty Dick Burton’s Aide de Camp, 2002
Watercolor, gouahce, ink, and pencil on paper, 59 1/2 x 40 inches
Courtesy the Artist and Paul Kasmin Gallery


In NYC this weekend? Check out this show of incredible watercolors by Walton Ford; RISD grad and effemera master.

According to the museum: "While beautiful, Ford’s paintings often portray scenes of violence and offer a wry critique of colonialism, the naturalist tradition, and the relationship between man and animal.

And according to the Athanasius Kircher Society: "Sir Richard Burton, eccentric 19th century explorer, scholar, and Hero of the Athanasius Kircher Society, spoke 29 languages and 12 dialects:

He was the first non-Muslim to make a successful pilgrimage to Mecca posing as one of the faithful, and the first to penetrate the ancient kingdom of Harar, in Somalia. He was the first Westerner to discover Lake Tanganyika, in an attempt to find the source of the Nile. He served as a spy in peacetime India and as an officer in the Crimean War. He prospected for gold in Egypt, West Africa, and Brazil. He wrote what is thought to be the best book on sword fighting of the nineteenth century. He introduced the word “safari” into the English language and is said to have introduced Turkish delight [a candy consisting of jellylike cubes] to Europe. He was one of the earliest translators of the Kama Sutra and of the Arabian Nights, and he also wrote poems in the manner of the classics of Arabic literature. … Explorer, anthropologist, linguist, erotologist, universal genius – [he] could easily have turned up as a character in a Joseph Conrad novel. – Joseph Epstein, New Yorker (11/23/98)

But it was Burton’s work in compiling a dictionary of monkey language that has earned him the admiration of artist Walton Ford:

“His language studies continued unabated and his interest in the science of the spoken word led him to conduct an interesting experiment with some pet monkeys. Curious as to whether primates used some form of speech to communicate, he gathered together forty monkeys of various ages and species and installed them in his house in an attempt to compile a vocabulary of monkey language. He learned to imitate their sounds, repeating them over and over. And he believed they understood some of them. Each monkey had a name, Isabel, his wife, explained. He had his doctor, his chaplain, his secretary, his aide-de-camp, his agent, and one tiny one, very pretty, small and silky looking monkey he used to call his wife and put pearls in her ears. His great amusement was to keep a kind of refectory for them where they all sat down on chairs at mealtimes and the servants waited on them and each had its bowl and plate with the food and drink proper for them. He sat at the head of the table and the pretty little monkey sat by him in a baby’s high chair… He had a list of about sixty words before the experiment was concluded, but unfortunately the results were lost in a fire in 1860 in which almost all his early papers perished.”

Ford’s paintings of Burton’s monkeys, including “Dirty Dick Burton’s Aide de Camp” (above), are currently on display at the Brooklyn Museum.

Through Jan. 28th.

McLeod Residence Happy Hour

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Be sure to stop by before heading over to 911! (Join-up on the website first, please…)

From Buster’s blog – "…Thursday, January 11th, we will be having a weekly MEMBERS ONLY Happy Hour, bartended by the handsome Matty Yeswad McLeod.  Members, feel free to bring one guest to sip cocktails and chat about life and art and ridiculous luck from 6pm – 9pm.  If you’re not a member, JOIN JOIN JOINThe McLeod Family loves you.

UPGRADE SEATTLE: annie on ni wan + eunsu kang @ 911 Media Arts Center

Tomorrow night don’t miss Upgrade! Seattle at 911.

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Annie Wan is a young activist in audiovisual performance, interactive art and an innovator in interactive technologies. She achieved a Bachelor of Arts in Creative Media from School of Creative Media, City University of Hong Kong, in 2002. She has lived in Singapore, London, Brighton and Gothenburg (Sweden), earned a Master of Science in Art and Technology at Innovative Design, Chalmers University of Technology, Sweden in 2005.

Her works, including locative media, audiovisual performances and interactive installations, have been shown at the Mondal Museum (Sweden); Syndicate Potential (Strasbourg, France); Art+Communication Festival 2004 (Riga, Latvia); Piksel 2004; FLOSS in Motion, (Bergen, Norway); Multimedia Art Asia Pacific Conference 2004 (Singapore); and Oppositional Architecture (Berlin, Germany). She received travel and project grants from various organizations in Hong Kong, Sweden, and Norway, including the Nordic Fund and EU Culture Fund.

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Eunsu Kang is an international media artist from Korea. She has been invited to more than sixty exhibitions and film festivals around the world. She was awarded her first and second solo exhibitions for her video installations. Her third solo exhibition was held on cellular phones with wireless internet connections. She is also a winner of the Korean National Fund for Emerging Artists in 2005, the Insa Web/Mobile Art Project Award in 2003 and the Korean National Juried Project for 2000: the Year of New Arts. Kang received her MA in Media Arts and Technology from the MAT program at the University of California, Santa Barbara, and her MFA and BFA from the Ewha Womans University in Seoul, Korea.