Archive for January, 2007

Albert Camus on Beauty

Jessicaselect_1Beauty is unbearable, drives us to despair, offering us for a minute the glimpse of an eternity that we should like to stretch out over the whole of time.

-Albert Camus

Seattle Artist Tivon Rice on Dailyserving

Tivonrice12107A big shout-out to Tivon Rice, the Seattle-based artist was featured on Dailyserving yesterday, the "International Forum for Contemporary Art" site which features a different contemporary artist every day.

I just happened to see Rice’s work in the Lawrimore offices a couple of months ago– this same piece, actually–and I liked it instantly; elegant, humorous and smart. A sign of great things to come.

link

Visit the Circus Museum Online- -

Vlhomme If you like vintage posters and anything circus, you’ll like The Circus Museum in Holland – the website has tons of posters, photos, and prints from Jaap Best’s collection of circus memorabilia. Link – via The Cartoonist

Be sure to turn up the volume!

Ong on Oral v. Written [blogging the self]

Klee_magicmirror5baic5d_1 The question is, "How does blogging [that fluid reading/writing activity] change our sense of ourselves?"restructures human consciousness. In this history of literacy, the spoken word is something that wells up directly from the human unconscious, whereas written language is expressed through artificial (i.e. human-made) frameworks, systems of "consciously contrived, articulable rules." These rules (and their runes) create a scaffold for the brain, which, now able to engage with complex ideas in contemplative solitude as opposed to interlocution, begins to conceive of itself as an individual entity rather than as part of a collective. Literate cultures are thus cognitively different than oral ones…

[True, these arguments do smack of the same theories that had everyone worked up ten years ago. Remember "interactivity" and the death of the "Author"?]

"Ong called the invention of writing the "technologizing of the word," a process that fundamentally

"What’s so interesting here, is that it seems that the age of networked reading and writing promises to get us much closer to one of the crucial aspects of oral culture — the sense that the story teller/author and the audience/reader are joined together in a collective enterprise where the actions of each will have a direct and noticeable impact on the other.

via futureofthebook

Christopher Williams @ MAMbo

Cwilliams_kievcamera_web Christopher Williams, who is participating in the Henry’s "Art In and Out of Cologne" exhibition is also having his first solo in Italy. He will present his ambitious – "Dix-Huit Leçons Sur La Société Industrielle (Revision 5)" at Museo d’Arte Moderna di Bologna, ITALY January 26 – March 4, 2007. 

"Williams’s intervention comprises an organic project that links together the exhibition layout and its framework represented by the architecture of the building itself and its three decades of exhibition making."

Congratulations Chris!

Get more info at:

c/o Galleria d’Arte Moderna
Piazza Costituzione 3, Bologna
tel. 051.502859 – fax 051.371032
Press contact: Giulia Pezzoli: ufficiostampagam@comune.bologna.it
http://www.galleriadartemoderna.bo.it/

“The Castle in the Forest” – Mailer’s first novel in 10 years

Mailercover450 "The Castle in the Forest" – Mailer’s first novel in 10 years is not just the almost superhumanly detached fulfillment of the somewhat depressed boast he made nearly half a century ago in "Advertisements for Myself": "I wish to attempt an entrance into the mysteries of murder, suicide, incest, orgy, orgasm and Time." This remarkable novel about the young Adolf Hitler, his family and their shifting circumstances, is Mailer’s most perfect apprehension of the absolutely alien.

No wonder it is narrated by a devil. Mailer doesn’t inhabit these historical figures so much as possess them.

In "The Castle in the Forest," the devil-narrator – who is living in the body of an SS man named Dieter – tells a little tale about the tale he is telling. "It is more than a memoir and certainly has to be most curious as a biography since it is as privileged as a novel. I do possess the freedom to enter many a mind." Those two sentences form the crux of Mailer’s originality.

http://www.nytimes.com/2007/01/21/books/review/Siegel.t.html?8bu&emc=bu

via NYT

Stan Douglas Wins Hnatyshyn Foundation Award

Stan_douglas05Congratulations to Vancouver’s Stan Douglas who was awarded the very first Hnatyshyn Foundation Visual Arts Award.

From the press release: "The $25,000 prize for excellence in Canadian visual arts will be presented to Douglas today by Gerda Hnatyshyn, C.C., President and Chair of the Board of The Hnatyshyn Foundation, at a reception at the Vancouver Art Gallery.

Douglas’ latest work KLATSASSIN is up at Seccession, Vienna through the end of the month.

Jutta Koether @ Kunsthalle Bern v. Artists In and Out of Cologne @ Henry, Seattle

Jutta_kblack04030601 This  could not have been better if they had planned it; a Jutta Koether show [Kunsthalle Bern] up at the same time as the "Make Your Own Life; Artists In and Out of Cologne" show at the Henry, Seattle! Imagine getting everyone involved in these two shows together for a party. It would be epic, history-making.

(incli)NATION favorites Diedrich Diederichsen and Martin Prinzhorn will be writing essays for the catalogue, and on January 20th, Kim Gordon (Sonic Youth) will be at the opening with Koether.

More info at:

Kunsthalle Bern
Helvetiaplatz 1, 3005 Bern
T + 41 31 350 00 40 F + 41 31 350 00 41
http://www.kunsthalle-bern.ch
info@kunsthalle-bern.ch

BANSKY MANIFESTO–from Bergen-Belsen 1945

Bansky_holocausticAn extract from the diary of Lieutenant Colonel Mervin Willett Gonin DSO who was among the first British soldiers to liberate Bergen-Belsen in 1945.

Camp

I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diptheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand proping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentary which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross arrived, though it may have no connection, that a very large quantity of lipstick arrived. This was not at all what we men wanted, we were screaming for hundreds and thousands of other things and I don’t know who asked for lipstick. I wish so much that I could discover who did it, it was the action of genius, sheer unadulterated brilliance. I believe nothing did more for these internees than the lipstick. Women lay in bed with no sheets and no nightie but with scarlet red lips, you saw them wandering about with nothing but a blanket over their shoulders, but with scarlet red lips. I saw a woman dead on the post mortem table and clutched in her hand was a piece of lipstick. At last someone had done something to make them individuals again, they were someone, no longer merely the number tatooed on the arm. At last they could take an interest in their appearance. That lipstick started to give them back their humanity.

Source: Imperial War museum

Bansky Gives It Away

Whatareyoulookingat_1

After the stellar success of his star-studded LA show (where Brad and Angelina walked away with quite a few pics) and setting a personal record at auction back in October 2006, Banksy is offering free downloads of some of his images for those that can’t afford to buy his art. No doubt a response to the many profiteers who’ve turned his images into unauthorized tees and other goods (an practice antithetical to Banksy’s work), the move is a very Banksy like response. As he reminds on the site, please note that the images are for personal use only and should be printed at work. More below…

Graffremovalboy

Maidinlondon

Balloongirl    

via Agenda Inc.