Art + Architecture + Design
Archive for January, 2007
Paint it, Black; EMMANUELLE VILLARD @ CCNOA, Brussels
Jan 26th
One of the more interesting shows opening this weekend is, sadly for us in the states, in Brussels. Villard’s new work, Paint it, Black…
Paint it, Black
Imagine an era in which artists working in the field of abstraction are considered decorators and the primary quality of abstract painting is that it can be transformed into wallpaper or packaging for shampoo. Imagine further that in this era viewers have become accustomed to recognizing a picture before looking at it, their gaze travelling across the surface of the canvas as it would across the surface of an everyday world with which they feel totally familiar.
What would that leave painting?
Fuck You Poem #45; Amy Gerstler
Jan 25th
Fuck you in slang and conventional English.
Fuck you in lost and neglected lingoes.
Fuck you hungry and sated; faded, pock marked and defaced.
Fuck you with orange rind, fennel and anchovy paste.
Fuck you with rosemary and thyme, and fried green olives on the side.
Fuck you humidly and icily.
Fuck you farsightedly and blindly.
Fuck you nude and draped in stolen finery.
Fuck you while cells divide wildly and birds trill.
Thank you for barring me from his bedside while he was ill.
Fuck you puce and chartreuse.
Fuck you postmodern and prehistoric.
Fuck you under the influence of opium, codeine, laudanum and paregoric.
Fuck every real and imagined country you fancied yourself princess of.
Fuck you on feast days and fast days, below and above.
Fuck you sleepless and shaking for nineteen nights running.
Fuck you ugly and fuck you stunning.
Fuck you shipwrecked on the barren island of your bed.
Fuck you marching in lockstep in the ranks of the dead.
Fuck you at low and high tide.
And fuck you astride
anyone who has the bad luck to fuck you, in dank hallways,
bathrooms, or kitchens.
Fuck you in gasps and whispered benedictions.
And fuck these curses, however heartfelt and true,
that bind me, till I forgive you, to you.
–Amy Gerstler
I bow before your genius, Amy…
“Knitting for a New Millennium,” a manifesto by Lisa Anne Auerbach
Jan 24th
This is a call for a dynamic, new direction for knitting!
Lay down that eyelash yarn and giant needles and pick up a project that’s thoughtful, elegant, and odd. Let each sweater be something completely new. Forego patterns in favor of making it up yourself.
Go beyond.
Go above.
Figure it out for yourself.
Do not by shy. The time is now; there will never be a better one. Use technology if you have to. Computers are your friends. Knitting machines are ungainly buy useful. Reclaim knitting! It is a noble craft; it is NOT the new yoga. Repetitive and unthinking motions will kill the soul. Knitting is creating. Custom sweaters are the new tattoos. Why make the same thing everyone else is making if you don’t have to? You have choices: make use of them.
THEN: Knitters who have come before us are remembered for cabled guernseys, paper thin stockings, mittens and gloves adorned with sonnets or sobriquets, and undergarments fluttering with lace. Our forebears learned to knit at a young age. Small children were started on stockings, knitting in the round. Adolescents turned heels and decreased at the toes.
Look back at the history of knitting and you will see tiny stitches, fancy flourishes, and complex shaping. Aesthetically speaking, the knitters of yore had it going on. Totally badass, persnickety, and adorable. And, as if incredibly good-looking and fashionable weren’t enough for these long ago knitters, old-time chicks with sticks transformed American culture, no joke. In the 1890’s, when a bicycle craze swept the nation, ladies were still wearing duds that might get stuck in the spokes, or worse. Knitting came to the rescue, providing the fashionable a new and sporty choice. Hemlines started to rise, and jaunty knitted stockings became all the rage. It wasn’t long before sweaters went from underwear to outerwear and the rest is history.
Thank our feminist ancestors with yarn and vision for getting us out of the corset and into the sweater. The early part of the 20th century plugged along just fine, and many a garment was stitched for soldiers, grandchildren, schoolmarms, bachelors, fishermen, and whores. Those who wanted to knit for the war effort used patters published by the Red Cross for sweaters, vests, gloves, and socks. Fashioning garments was a talent taken for granted. Knitters, it seemed, knew how to knit. And then what happened?
NOW: Like many other things, recent times saw the history of knitting take an unfortunate turn for the worse. Though the popularity of the craft has gone through the roof, we are now faced with an unprecedented epidemic of mediocrity characterized by ultra-bulky yarn and loosely knit skinny scarves. Yarn companies are laughing all the way to the bank as the introduce more yarns and patterns that will satisfy knitters with a “scarf in an hour” or a “sweater in a day.”
If the current crop of madness does not cease, we in the here and now will be remembered by future knitters at the generation who collapsed the craft. We cannot and must not let this happen! Knitting is not supposed to be easy. Knitting takes time and thought and patience and attention. A well made sweater will last a lifetime or longer. There’s no point in wasting time and money on ugliness.
Down with simple and boring!
Up with thoughtful and complex!
Chart your message and wear it proudly. Mix yarns and colors. Spice it up. Try the materials of today: Kevlar, retro-reflective, stainless steel, dynamite, yak. Resist fashion. Manufacture your own brand. Embrace tradition. Learn from history. Shatter the present. Create the future. Stitch by stitch, we can and will change the world. The revolution is at hand and knitting needles are the only weapons you’ll need. Stop making scarves; start making trouble.
Consume less.
Create more.
Knitting is political.
BEGIN IMMEDIATELY.
[from KNITKNIT #6]
link http://www.knitknit.net/index.html
Canaletto paints W. Etheridge’s remarkable Walton Bridge
Jan 24th
Designed by William Etheridge and built 1748-50, The Walton Bridge was much admired for its ‘strength, contrivance and remarkable great arch,’ and was even described as ‘the most beautiful wooden arch in the world ‘ – beautiful enough for Canaletto to paint it twice – the image above is a crop of one of these paintings. The Walton Bridge’s main span was 130 feet, with two side arches of 44 feet. Sadly, it decayed and lasted only 33 years until 1783.
More on the bridge >>here<<
via StrangeHarvest.com
Il a essayé d’aimer–l’Abbe Pierre dead at 94
Jan 24th
"l’Abbé Pierre–voted third greatest Frenchman after Charles de Gaulle and Louis Pasteur–has died at the age of 94.
"Abbot Peter" was the short priest with the long beard, the white-haired legend in the black beret, the former resistance fighter in a dark cape who now clutched a bleached wood cane.
Like his appearance, Abbé Pierre, who once broke his vow of chastity, yielding to the force of desire, was man of contrast. Humble and soft-spoken, he was driven by a "holy anger" and known for his passionate outbursts when speaking for the homeless. He once told Jean-Marie Le Pen to "shut up!" after the president of the National Front implied that all of France’s ills stemmed from
immigration.
His beliefs were sometimes unorthodox as he felt that priests should be able to marry, gays should be able to adopt, and women, to be ordained. Above all, Abbé Pierre believed in the homeless and their unspeakable living conditions; caring for the homeless would be his life’s mission.
Activist for the poor for over five decades, at 5:25 a.m. on January 22nd, at the age of 94, Abbe Pierre’s light went out when he died in Paris after being admitted to the hospital for a lung infection. The feisty yet humble Frenchman had requested that the following words be written on his tomb: "Il a essayé d’aimer." ("He Tried to Love.")
W.J.T. Mitchell @ Sculpture Center Tomorrow
Jan 24th
In NYC tomorrow night? Be sure to catch W.J.T. Mitchell–author of What Do Pictures Want? The Lives and Loves of Images and editor of Critical Inquiry and a professor at the University of Chicago in the Departments of English Literature and Art History–presents some of the concepts that inspired SculptureCenter’s upcoming group exhibition, The Happiness of Objects, tomorrow night, Jan. 25th.
Mitchell has come a long way since his Picture Theory days, and as that volume was cited ad nauseum in the nineties, that is saying something.
Fredric Jameson on Mitchell’s most recent work, What Do Pictures Want?:
This lively collection of essays is something more than a critical tour of the problematics of contemporary art theory; it is more than a set of pertinent (or impertinent) interventions on a series of current exhibits, films, and images of all kinds; more even than a tireless and insistent reproblematization of everybody’s work on pictures, images, and image society, turning all the new ideas back into questions and more questions. It is also the elaboration of what is surely destined to become an influential new tripartite concept of the object, namely as idol, fetish, and totem."
And be sure to grab a copy of his forthcoming, The Late Derrida, this April.
Thursday, January 25, 7pm – W.J.T. Mitchell at Sculpturecenter.
Ice Hotel Canada melts April 1!
Jan 24th
Sweden’s famous frozen retreat has a little sister closer to home. Because Quebec City isn’t as chilly as its Arctic Circle counterpart, the Ice Hotel Canada is open from January to April, which gives the establishment’s truly talented artists the chance to re-think the architecture, providing different designs each season. Our ideal Ice Hotel itinerary? Days filled with ice fishing, dog sledding and a Native American Igloo workshop (DIY to the max), and nights in the N’Ice Club with our new hotel pals, followed by some outdoor hot tubbing amidst the ethereal glow of the ice. Sign us up today.
link Ice Hotel Canada
via Trendcentral
‘Iraq in Fragments’ [cut @ 911 Media Arts] up for OSCAR!
Jan 24th
(incli)NATION congratulates Seattle filmmaker James Longley on his film’s nomination for an Oscar in the Best Documentary category in this year’s Academy Awards.
More proof of the outstanding work being done over at 911, Seattle.
Come celebrate with 911 Media Arts Center and friends on Feb 25, Oscar night, for a party to support one of our very own local filmmaker’s success. Party starts at 5pm!
L’INVITATION AU VOYAGE this Thursday, 5:30PM feat. Daniel Mendel-Black and James Hayward
Jan 23rd
If you find yourself in San Fransisco this Thursday, be sure to stop by Modernisms opening L’INVITATION AU VOYAGE: for a chance to see some of the best non-representational painting going these days.
Particularly nice are the Mendel-Black paintings shown recently at Mandarin, LA. From the dmb manifesto:
"6. These paintings are reconceived in terms of the larger cultural spectacle without allegory, or any idea that looks backwards for its own relevance. I want them to be the symbolic language object com-to-life, the way it is impossible to ignore something that stirs in the ashes, not dead, but rising from the death of everything that has been poisoned and made extinct around it."
And yes, there is more. Don’t miss it!
Edith BAUMANN
James HAYWARD
Peter LODATO
Jonathon KEATS
Naomie KREMER
Daniel MENDEL-BLACK
MODERNISM
685 Market St., Suite 290
San Francisco, CA 94105
PHONE
(415) 541-0461
FAX
(415) 541-0425
E-MAIL
info@modernisminc.com


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